Doctor Who: The War Games in Colour

“You can’t just change what I look like!”

(SPOILER WARNING, ON THE OFF CHANCE THAT YOU HAVEN’T SEEN THIS 1969 STORY)

I don’t know if you can cast your mind back that far, but in the 90s, colourisation of classic movies was all the rage. It was also hugely controversial, as Turner Classic Movies, added what was then a very primitive and unconvincing colour palette to the beloved likes of Laurel and Hardy and Casablanca. “These movies were meant to be seen in black and white,” the purists cried. Generally, people (including me) agreed, and the fad passed within a few years.

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How sexist is Doctor Who?–Part Two

The Patrick Troughton Years

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OK, here we go with Part Two of my attempt to analyse the sexism in every Doctor Who story ever, using the Bechdel Test – and my wits. For a reminder of the rules, check the Intro here. And here’s part one, William Hartnell.  A quick reminder of the Test:

1. It has to have two named female characters
2. Who talk to each other
3. About something besides a man.

Here goes…

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Doctor Who: The Enemy of the Web of the World of Fear

“People spend all their time making nice things and then other people come along and break them!”

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I’ve been rather quiet on the blogging front of late – it’s been a lovely summer, and I’ve enjoyed being out in it rather than spending evenings tapping away on a keyboard. But if there’s one thing guaranteed to make me put fingers to keys once again, it’s a new episode of Doctor Who.

Or in this case, not entirely “new”. I started this blog way back in the dim and distant 2007 primarily to review Doctor Who, but I never thought I’d be in the position of reviewing episodes from 1967/68 that I – and everyone else born since then – had never been able to see before. Yet thanks to the sterling efforts of one Philip Morris (not the one who makes cigarettes), we can all now enjoy two stories long held to be classics – The Enemy of the World and The Web of Fear.

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