After last week’s rather dreary talkathon, this week The Walking Dead limped to its mid-season finale with at least a little more pace. Though, it has to be said, this was still a pretty slow and uninteresting affair, only enlivened by some last minute Walker/Whisperer shenanigans that slightly advanced the plot.
“Together we shall save the souls of our people from Satan. Even if it means killing them all.”
We seem to have settled into a pattern in this new series of Doctor Who that every other episode will have a historical setting. That’s a higher ratio of stories set in the past than any other time since the show’s 2005 revival, but so far it’s been worth it – I’d say the historicals have been far and away the best eps of the season.
The Walkers may be learning to talk, but it’ll be a while before they’re as talky as this episode was. Written by Vivian Tse and directed by former cast member Michael Cudlitz (Abraham), this was intended as a character piece; but with comparatively little plot advancement or Walker action, it seemed more like a post-apocalyptic soap opera than anything else.
“Delivery fulfilled. And remember, if you want it, Kerblam it!”
So the Robots of Death work for Amazon now? Kerblam! (I think it’s meant to have an exclamation mark) was a bit of a confusing one. On one level, it was a light, silly sci fi romp about a futuristic corporation, with sinister grinning robots, breakneck conveyor belts and a dangerous conspiracy. On those largely undemanding terms, it succeeded.
“Weeks, months, even years go by while you try to make sense of it all.”
Last time, I wondered if the loss of the character who’s been the lead since the beginning (and still is in the comics) would make a whole new show of The Walking Dead. It certainly had that potential, for the show to diverge more thoroughly from its source material than before, and become its own, more unpredictable story.
“India’s a home to all of us. We didn’t change when a line was drawn.”
Demons of the Punjab was another very strong historical episode, after Rosa had already showed us that this new Doctor Who can take on more than just schoolboy moments of British history. The partition of India is a powerful topic to take on, the year after its 70th anniversary; it was a tragic event that still reverberates today, but doesn’t get nearly enough coverage in Western drama.
“We’re the same. All or nothing. You’re trapped, same as me, you’re connected to the dead, same as me. We are the same, and you can’t stand that we’re the same.”
This felt very much like a continuation of the previous episode – it probably didn’t help that I watched them back to back, but the tone and the content was so nearly identical I had to check to see if it was the same writer – no, this ep was down to Rosemary Rodriguez after Corey Reed’s stint last week. Continue reading “The Walking Dead: Season 9, Episode 4 – The Obliged”
“We gave Rick’s way a chance. It’s time to see Negan.”
After the previous, quite focused episode, The Bridge, this week’s Walking Dead felt more like filler, enlarging on the already-established tensions between the now uneasily-at-peace communities but not resolving anything. On the face of it, it was a fairly uneventful episode (albeit with a bit of Walker action shoehorned in to give it a bit of pace). Continue reading “The Walking Dead: Season 9, Episode 3 – Warning Signs”
“So it’s just us. Alone. In space. With that creature.”
Well, that was actually an improvement on last week. From 50s B-movie to… 80s B-movie? The Tsuranga Conundrum is unlikely to go down as a classic like Midnight, but it was a fun, lightweight space opera romp in the style of the ones you might have rented in a video shop in the 80s. True, handsome production values put it a little above, say, a Roger Corman or Richard Band production, and the overall feel was Star Trek the Next Generation meets Alien by way of Ghoulies.