Bobby Ewing – Simon’s Incoherent Blog

Dallas (the next generation): Season 2, Episode 1

“That grin makes you look like trouble. And my daddy told me to stay away from trouble.”

So, them feudin’ Ewings are back, quicker than I expected on the UK screens. Looks like Channel 5 showed the season premiere the very night after the US broadcast – though they only showed one of the two eps shown over the pond, meaning they’ll presumably remain a week behind. Quicker than the period of months from last year, though.

And woo-hoo! My blog is back. Haven’t written anything for a month; it’s not like there haven’t been interesting political events and TV shows, just that my new job has kept me incredibly busy. But now the Ewings are back, I have a deadline to carry on from last year…

Previously, on Dallas: You might need a moment to remember last year’s gloriously convoluted plotlines of betrayal, sex and very big Stetsons. Fortunately, all through this first episode, the characters involved kept meeting up and telling each other things they must logically already know for our benefit:

Sue Ellen’s still running for Texas governor, and still has no recognisable party affiliation. But she’s doing well, apparently, so here’s the cue for things to go pear-shaped for her campaign. Wait, remember all that bribery and double dealing she engaged in last year?

Exposition-spewing lawyer Lou (the ever-reliable Glenn Morshower) popped up to remind us (and Christopher) that Christopher had married a conwoman whose fake brother had spurred her on to steal Ewing money and secrets even while Christopher impregnated her with twins. “She’ll never see those kids,” snarled Christopher – a neat trick, given that she’s still gestating them.

Christopher and John Ross had come together to set up a new company, Ewing Energies, which would combine the former’s love of green energy with the latter’s love of oil. Naturally, they were instantly at loggerheads, with JR lurking behind to pull John Ross’ bitter twisted strings.

Bobby’s saintly wife Ann has a Dark Secret – one which slimy ex-husband Harris Ryland threatened to reveal to Bobby. Ann used to have a daughter – but what happened to her?

And in a stunning twist which most people probably saw coming, Christopher’s conwoman wife (who’d already murdered her fake brother) turned out to be the daughter of none other than … Cliff Barnes!

So, this season opener strode in with even more confidence than the last, buoyed by the success of last year’s revival. Noticeably, the new cast seemed to take more prominence over the older ones than previously; a sign, perhaps, that the show can stand on its own feet without the need for past glories.

Probably a good thing – as fans will undoubtedly be aware, JR Ewing is no longer with us. The undoubted star of the original, Larry Hagman sadly passed away late last year. He did complete filming for several episodes of this new season, and was briefly present here for a couple of scenes; but he looked frail, and watching him was tinged with sadness.

Still, it’s looking like his mantle will be well picked up by the younger, fitter (boy, is he fit) John Ross, played as ever by the chiselled Josh Henderson. John Ross wasted no time getting his shirt off in a pre-credits opener that showed him to be the new bad guy in town – not only did he charm a young bride into bed at her father’s house on her hen night, he then promptly used a film of said event to blackmail her reluctant daddy into selling him a trucking firm. Way to go, John Ross!

Other characters introduced last year made a welcome reappearance, a sign that they’ve worked out as popular as the originals. Everyone’s favourite slimy trucking magnate Harris Ryland turned up to loom lecherously behind ex wife Ann, before villainously explaining last years’ blackmail plot and revealing that he values his and Ann’s kidnapped daughter mostly as a bargaining chip to leverage aspiring Governor Sue Ellen. Mitch Pileggi has been promoted to the main cast this year – a sure sign we’ll be seeing a lot of Ryland this season.

Conflicted (and ineffectual) conwoman Rebecca was back too, having had an extended vacation, much to sinister henchman Frank’s displeasure. Thus invigorated, she had a newfound evil veneer suitable for her function as the New Cliff.

Looking good for a pregnant lady, she had a revelatory, exposition-filled confrontation with Bobby and Christopher at the Barnes Global building (“but what’s she doing here??”), which also seems to accommodate corporate vulture Deloitte; perhaps Cliff’s not doing as well as he thinks. Or perhaps the producers just CG’d an extra sign onto the Deloitte building and forgot to remove the original.

Be that as it may, it was positively Star Wars-esque as these adversaries confronted each other, complete with a parental reveal – “Cliff Barnes is my father!” Yes, Rebecca is actually Pamela Rebecca Barnes, last seen as a wee infant in the late 80s. So now that cat’s out of the bag, it’s time for Pamela/Rebecca to take her father’s place as Darth Barnes. I’m just waiting for the light saber duel.

Family matters

Having now discovered Rebecca’s true identity as Pamela Rebecca Barnes, daughter of Cliff, all but the most dedicated fans may need reminding that she was born in the original show’s12^th season, round about 1988, to Cliff’s ex Afton Cooper, sister of Lucy Ewing’s then husband Mitch. Still no info on the fate of the Pamela we know, Cliff’s half-sister and Bobby’s ex – is Victoria Principal still too busy for a cameo?

Hey look, it’s that guy from that thing:

No notable guest actors this week, but a quick cameo from former NASCAR driver Ricky Rudd (who is definitely not an actor, on this evidence). Playing himself, Ricky was impressed with Christopher’s methane-fuelled stock car. I wanted to know more about how it worked, but Christopher was less than forthcoming, perhaps worried that Cliff Barnes might be watching.

Who’s double crossing who this week?

Everyone.

Harris’ blackmail of Sue Ellen is back on track with his acquisition of ‘the tape’ (there’s always a tape), and already her gubernatorial campaign is in a bit of a mess with the news appearance of the Medical Examiner she tried to bribe/blackmail last year. Not sure how Harris gains from Sue Ellen not becoming governor, so maybe there’s more than one double cross going on here.

Elena is innocently trying to buy decommissioned oil rigs from an unsuspecting (and near-incoherent) Texan oilman, who is unaware that Christopher’s Secret Methane Plans can turn them into money spinners.

John Ross, trying to gain control of Ewing Energies (and screw over his hated cousin), has forged an unholy alliance with Methane Plan-seeking Pamela/Rebecca Barnes, which hinges on him poaching Christopher’s star witness in the marriage annulment case – the real Rebecca Sutter.

This week’s big cliffhanger:

John Ross’ reveal of his Evil Plan. But also – why does Ann’s daughter know and hate her? What will happen to Sue Ellen’s political ambitions? Will Elena succeed in buying her beloved Christopher some cheap oil rigs? And will the scriptwriters remember Bobby’s brain tumour at an opportune moment?

This was a hugely enjoyable season opener, with the confidence of a show that’s found its niche. It was nice to see JR, frail though he may look, but he doesn’t seem as instrumental to the show’s success as he did last year. Bobby too took something of a back seat, and there was no sign of Cliff, leaving Sue Ellen as the only Dallas veteran with much of a plot. But that’s OK – the new guys have proved their worth in twisted soap opera shenanigans and looking good with not many clothes on. I look forward to their undoubtedly bizarre and implausible goings on over the coming weeks.

Dallas (the next generation): Season 1, Episode 10

“I’m gonna tell you something I’ve never told you before. I love you Bobby. And I don’t know who I’d be without you.” – JR

Previously, on Dallas: Last week saw most of the show’s ongoing plots wrapped up, then suddenly dropped a triple whammy cliffhanger to set up one more week of Ewing double-dealing for this year.

Christopher and John Ross buried the hatchet to create a new joint venture, Ewing Energies
Bobby was so pleased to hear this he immediately keeled over with a brain aneurysm
JR revealed that he had a conscience after all by signing the Southfork deed back over to him, rendering everything he’s done this season somewhat pointless
Having compromised her political integrity every which way, Sue Ellen decided to drop out of the race for Texas Governor rather than give in to slimy Harris Ryland’s demands to launder dirty money
Lou the lawyer found Marta/Veronica’s Cloud drive, which just might contain evidence to incriminate everyone involved in the scam to get Southfork – particularly JR
The recovering Bobby, probably flabbergasted at a nice gesture from JR, had another aneurysm and was carted off to hospital
And Rebecca, still being plagued by shifty Tommy, took matters into her own hands in a struggle during which a shot was heard…

This week’s season finale had a lot to do in resolving these and other loose ends, while also setting up the plot for next year’s second season (it starts in the US in January). So we quickly established, in an arty slo-mo shot, that the gunshot victim was actually Tommy, who’d outlived his plot purpose at this point. But it was something of a surprise that Rebecca could so easily summon a shadowy Tarantino-esque figure to help her clean up and dispose of the body.

Well, she did have a former career as a con artist, I suppose. Unfortunately for her, having disposed of the body, she was obliged to spend much of the episode trying to find it again, as Tommy had kept her engagement and wedding rings, which Christopher wanted her to put back on.

Christopher and the rest of the Ewing clan were gathered at the hospital, anxiously awaiting Bobby’s prognosis. Larry Hagman gave us an impassioned speech by the bedside, as the newly contrite JR recognised that the show depended on his and Bobby’s rivalry, like an American archetype: “Wake up and get better. Keep fightin’. Keep fightin’ me.”

Actually it turned out (again) that Bobby’s health scare was no real problem, just a cheap dramatic device; he was on his feet again within ten minutes. But you can be sure those brain problems are tucked away in showrunner Cynthia Cidre’s file for potential later use.

Having last week given Christopher and John Ross the glimmer of a happy ending, the script this week was obliged to summarily tear them apart again to reset the dramatic tension for next year. So John Ross in particular had a pretty bad week which saw him lurching away from his newfound path of righteousness back into JR-inspired darkness.

It all started nicely enough for him; having leased the old Ewing Oil offices to set up their new corporate HQ, he also found time to propose to Elena by giving her an engagement ring that reminded him of dirty oil. What a romantic. But you could tell trouble was a-coming by the dismayed look on Christopher’s face when he found out about the engagement.

John Ross may have missed that, but he could hardly miss what came next as he was told of the video evidence from Marta’s Cloud drive, which incriminated him while, astonishingly, exonerating JR. Everyone was pretty angry about this, which seemed odd until you reminded yourself that the characters in the show didn’t actually have the details of all the dirty tricks John Ross has been up to. Listening at the door, Elena too was disgusted, and the engagement was off – even by soap opera standards, that was pretty quick.

Luckily for Christopher and Bobby, the evidence also gave them the drop on Vicente from Venezuela, unexpectedly back this week. Not only did it prove that the homily-spouting Venezuelan had fraudulently acquired the ranch, it also handily showed his men tipping ‘Marta’ out of a ninth floor window. So Vicente was off to jail, having lost both the ranch and the methane technology. You could tell this made him unhappy from Carlos Bernard’s trademark angry sneer – what’s the betting he’ll be back next year?

Next up for defeat was Mitch Pileggi’s unspeakably slimy Harris Ryland. When Ann learned of Sue Ellen’s plight, she immediately took steps to ensure that her sister-in-law could stay in the gubernatorial race.These steps involved her confronting Ryland in his office, where as usual he was straight in with the creepily licentious suggestions: “…since you’re here, and in the mood… how about it?”

Unfortunately for him, when the seemingly submissive Ann unbuttoned her blouse, it was to reveal a microphone that had recorded their every word, money laundering, blackmail and all. She left with a threat involving shotguns and a more effective clout to Ryland’s smug face than her husband had previously managed, then gave the tape to Sue Ellen. So Sue Ellen’s back in the gubernatorial race; which is nice for her, but may not be so nice for the people of Texas, given that she’s spent the whole season proving how eminently unsuited she is to the role. Still, this is Texas; last night they elected a dead guy to the State Senate, so they’ll probably cope with a soap opera drama queen.

Rebecca, meanwhile, was hunting high and low for those rings, while the slow-on-the-uptake Christopher was beginning to piece together what had been going on. Clocking her bruises, he enquired “did someone hurt you?” before belatedly launching a search for her miscreant ‘brother’; a hard task, given that he was already dead. Nevertheless, turning over Tommy’s hotel room with the ever-helpful Bum, Christopher was somewhat surprised when the room’s phone rang with a call from the real Rebecca – a rather less glamorous young lady in Des Moines.

So now Christopher had proof that Rebecca wasn’t who she said she was. Given that she’s already revealed herself to be a con artist who connived to split up his previous engagement, it was hard to see why this should be such a shock, but Christopher hit the roof. “So who the hell are you?” he angrily enquired. Ah well, that’s the real question, isn’t it? But ‘Rebecca’ had other points she could score: “I never had a chance, because you’re still in love with Elena!”

Of course he was. And handily for him, John Ross had just pissed Elena off enough for her to be single again. So together they got, in a steamy sex scene intercut with the mournful John Ross being handed back his oily engagement ring by Elena’s disapproving mother.

So, to the tune of Johnny Cash’s “God’s Gonna Cut You Down” (they love Cash on this show), John Ross made the inevitable decision to turn back to evil. As his father handed him a glass of whisky and the two surveyed the Dallas night skyline, John Ross entreated JR to teach him “every dirty trick you know”, so that when he took the company from Christopher and Elena, they’d both be partners. “But if you cross me, I will send you straight back to that home.”

JR simply smiled benevolently; “that’s my son. From top to tail.” And so he is; all demons have tails.

Who’s double crossing who this week?

Cliff, Cliff, Cliff! So JR’s machinations weren’t in vain, as his near-mummified rival turned out to be behind, basically, everything. His right hand man Frank had been thwarted in purchasing Southfork and the methane thing from Vicente by the inconvenient arrival of the FBI. Now we discovered that it was Frank who’d cleaned up Rebecca’s murderous mess. And that Rebecca had always been working for Cliff. Because we now know who she really is – his daughter! “Like your Aunt Pamela, I can’t trust you around the Ewings.”

This might have come as more of a surprise if the opening guest cast list hadn’t conspicuously said, “and Ken Kercheval”, although to be fair, you might easily have forgotten that amidst the usual cornucopia of intrigue. The revelation also seemed at odds with much of what we already knew – but then the schemes in this show are so mind-bogglingly overcomplicated, it can be hard to keep track. Nonetheless, we can now safely say that the real villain this entire year has turned out to be Cliff, pulling the strings all unseen like Ernst Stavro Blofeld. If he’s not back next year, I’ll be very surprised.

Season Finale

This has been an unqualified success in reviving a much-loved classic series and giving it a modern spin while remaining true to its original spirit. The new Dallas plainly costs a lot more than the old, with impressive Texas location shoots where the original made do with second unit stuff and a lot of Burbank studios. It looks great, and has a classy cast, even if the youngsters seem chosen more for photogenic reasons than acting talent.

Indeed, nice to look at though Jesse Metcalfe, Josh Henderson, Jordana Brewster and Julie Gonzalo undoubtedly are, the heart of the show, and its charisma, still lie with those original characters, and they’re still the best thing in it. JR, Bobby, Sue Ellen and Cliff might be noticeably older (very noticeably in Cliff’s case), but the actors have stepped back into those roles like they were never away.

With its labyrinthine double-dealing, Texan excess and often hilariously over-dramatic dialogue, the new Dallas is every bit the equal of the old, and its shorter season has allowed so much to be packed into ten episodes that it often felt like an overstuffed melee. That’s exactly as it should be. This has been so much fun, and I’m eagerly awaiting next year’s run.

Dallas (the next generation): Season 1, Episode 6

“Life always seems more complicated than you imagine it to be – especially in this family.” – John Ross Ewing

Previously, on Dallas: Last week, everything came out in the wash, as all the double dealing so far was exposed.

JR revealed himself to be the new owner of Southfork
Rebecca came clean to Christopher that her brother had split up his earlier engagement, earning them both a one way ticket off the ranch
John Ross found out that his father had cut him out of the Southfork deed
‘Marta’ revealed herself to be even more nuts than we thought she was as she seethed with jealousy over John Ross’ dalliances with Elena
Saintly Ann revealed her dark past as she went crawling back to her slimy ex, the owner of Dallas’ only trucking firm, for a favour – to stop the trucks carrying out JR’s oil
And Christopher discovered Marta’s ‘sex tape’ of her and John Ross, in which John Ross called her by her real name, and threatened to go to the cops unless John Ross proved his father’s involvement in the fraudulent sale of Southfork.

So, with Ewing battle lines drawn, the conflict was back out in the open for another week of twisty turny plotting, which soon laid the groundwork for yet more hidden wheels within wheels. Various parties competed for the favours of Ann’s ex Harris Ryland and his bounteous gift of oil trucks, marking him out as a major player in this second half of the series. Mitch Pileggi, formerly that nice Walter Skinner off The X Files, plays Ryland as a really nasty, creepy piece of work, so it’s good to see that he’s got a major role in the upcoming treachery.

Bobby, who bears the heavy burden of being the show’s only ethical character, predictably was not too happy when he discovered what his wife and son had been up to. Working out in a split second why the trucks belonging to his wife’s ex had ceased to turn up, he took Ann aside to spout homilies at her. Warning that Ryland was unlikely to offer favours for nothing, he counselled, “I just hope this doesn’t come back and bite us in the ass.” Ryland is so creepy, and Ann so repulsed by him, I wouldn’t put it past him to do just that – literally.

In fact, when Ann received an unexpected bunch of flowers from him accompanied by a mysterious small box, I half expected it to contain a human finger – or something equally unsavoury. But the seemingly innocuous little necklace inside was enough to cause Ann to crumple into floods of tears. Clearly it has some significance in her Dark Past. Still, it annoyed Bobby enough for him to hotfoot it over to Ryland’s office and give him an unannounced slap, which I have to say he took well. Probably enjoys that sort of thing.

Sue Ellen too was courting the unwholesome trucking magnate, on behalf of her desperate son, who needs that oil moving. Proving she’s got what it takes to make it in US politics, she offered Ryland a job in her cabinet should she win as Texas Governor. Ryland demurred; after being clouted by Bobby, he was going to send the trucks back in anyway. But he made sure to give Sue Ellen a big donation, now that he knows what her political honour is worth: “people like me, we need to make sure that people like you get into office.” The formerly honourable Sue Ellen looked dismayed – well, as dismayed as you can when your face is that immobile.

Christopher’s approach to screwing over JR and John Ross met with no more approval from Bobby than Ann’s did. ”A lifetime of dealing with JR has put me on both sides of blackmail,” Bobby averred, accurately. “It never pays off in the end. An eye for an eye just makes both people blind.” Fortunately for Christopher, the chance to hear more from the show’s ethical Yoda was averted by another possibility, as his conscience-stricken wife turned up bearing a gift filched from her shifty brother – an old document showing that the mineral rights to Southfork are not included with the land rights.

So JR and John Ross can’t drill for oil even if they own the place. One snag – Bobby and Christopher needed the original version of the document, which was harder to find than Arthur Dent’s compulsory purchase order in Hitch-Hiker’s Guide to the Galaxy. They had to rummage through Bobby’s grandfather’s old storage unit, wherein they discovered a desk, which contained a shoe, which contained a key to a safety deposit box at the National Bank of Texas, which hadn’t been opened “since before Mr Southworth’s death”. This took most of the episode, and failed to address how, if the document was so hard to find, Tommy happened to have a copy of it in the first place.

Still, they’ve got it now, much to John Ross’ frustration. John Ross did not have a good week. Dumped “in the briar patch” by JR to sink or swim (as it were), he found himself menaced by mad Marta, who took to impaling photos of Elena, and terrorised by Vicente from Venezuela, annoyed at not receiving his oil. Stalking around dressed in black with his menacing sneer and scary Latino accent, Carlos Bernard was clearly having a whale of a time delivering lines like, “in my country, when the sons fail to make good on the commitments of the father, there is a price to be paid.” Comprende, muchacho?

Said father, that Machiavelli of the petroleum industry JR Ewing, was comfortably ensconced with a trio of young manicurists in a Las Vegas penthouse, from where he was trying to get into a high stakes poker game run by Cliff Barnes, for some reason. He thinks Cliff’s up to something. Well, of course he is, this is Dallas. Everyone’s up to something.

Family matters

A bit of history to cover the mysterious document seen herein – Southfork was originally built by the Southworth family, of whom Miss Ellie, JR and Bobby’s mother, was the sole heir. When she married oil magnate Jock Ewing, the ranch passed into another name for the first time since the 19th century; JR and Bobby, despite both bearing the Ewing name, represent the opposing interests of each family. One’s mad keen on oil and wealth, the other likes integrity and sticking his arm up cattle.

Who’s double crossing who this week?

Well, with the ammunition being freely offered from all sides, it looks like Harris Ryland’s gearing up to double cross absolutely everybody. I’d like to see him try and take on JR though.

JR has tasked his henchman, the curiously named Bum, with investigating Cliff Barnes’ henchman, the scarily bald Frank Ashkani. Bum is also trying to find ‘Marta’ for John Ross, while concealing that he knows perfectly well where JR is and how to get in touch with him. As a piece of treachery this seems fairly pointless, but I’m sure JR has his reasons.

This week’s big cliffhanger:

While trying to regain her place in Christopher’s affections (this is not going to happen quickly), Rebecca discovered that she felt a bit funny and had a nosebleed. Being a soap opera, there can only be one of two reasons for this – she’s terminally ill, or she’s pregnant. Since we’ve already had a terminal illness plotline this season, it proved to be the latter of the two options, as she confessed to nasty old Tommy while trying unsuccessfully to shove him out of the door and her life. This cliffhanger is so effective it’s one of the very oldest soap opera can offer – the final two words of the episode being, “I’m pregnant.” You almost expected to hear the EastEnders theme thundering in. Or Neighbours. Or Corrie. Etc, etc…

After last week’s barnstorming apocalypse of revelations, this was another great slice of treachery and betrayal, as the forces of Light, represented by Bobby and Christopher, commenced their battle against the forces of Dark – JR and John Ross. Expect to see the Eye of Sauron over Southfork very soon…

Dallas (the next generation): Season 1, Episode 5

“I’m gonna make this right. And I’m taking you down – brother.” – Bobby Ewing

Previously, on Dallas: Last week, the double dealing reached fever pitch as final moves were made in the game to get Southfork.

The deal to sell the ranch to the ‘Del Sol Conservancy’ went through, and Bobby had a farewell barbecue
Bobby’s treacherous lawyer Lobell was prevented from blowing the deal with a nifty bit of blackmail, as ‘Marta’ entrapped his beloved son into some druggy looking photos
JR succeeded in shafting his own son, by using Marta and Lobell to remove John Ross’ name from the newly minted Southfork deeds, leaving him as sole owner
John Ross spent his week blackmailing Rebecca with his knowledge that the fateful email which averted Christopher’s marriage to Elena came from her IP address
Calling his bluff, Rebecca took Christopher aside at the barbecue to tell him everything…

This week opened with a splurge of revelations that pretty much blew open every double-dealing plotline in the show so far. Rebecca did indeed reveal that the email had been sent from her computer, and that it had been sent by her shifty, stubbly brother Tommy, who’s now wormed his way into the Ewings’ affections, as the opening move in a scheme to set her up as Christopher’s wife, gaining… something. Chris and Bobby think it’s money, but we know it’s actually the frozen methane plans (whatever they might be).

Afflicted with a conscience that must be a severe hindrance to her chosen occupation as con artist, Rebecca thinks that confessing all to Christopher because she loves him will get her off the hook. Fat chance – Christopher may be nice, but he’s still a hot-blooded Ewing man. Pausing only to slug Tommy in the face in front of the whole party, he got on with packing Rebecca’s things and telling her to “make sure I never see you again”.

A bit of a blow, to be sure, but a mere trifle compared with the next scene’s revelation to Bobby (handily delivered by the US mail in a sealed envelope) that the new owner of Southfork is none other than JR Ewing, and not some nice Conservancy after all. Bobby hit the roof (as much as a nice guy can), and Patrick Duffy got an electric confrontation scene with a smirking Larry Hagman. Inventing some guff that he had to buy Southfork to keep it out of Cliff Barnes’ hands, he told Bobby, “I’m taking back what should have been mine in the first place”.

Understandably not convinced, Bobby vowed to undo the deed. With everything now in the open, battle lines have again been drawn between the feuding Ewing brothers, just as they always were in the original series.

Lobell, knowing his plotline’s over at this point, had the good grace to clear out his office and bugger off, so Bobby found a more trustworthy-looking lawyer to explain (at some length) the rules of the plot to come. It seems that JR’s ownership is legitimate even if the original sale was fraudulent, as the subsequent sale to him wasn’t – unless he knew about the initial fraud himself. All clear?

So Bobby and the ‘nice’ Ewings must now find a way to prove that JR was in on it from the start. Shouldn’t be too difficult; I predict it taking another five episodes or so. Christopher and Ann have made a start by promising to undertake the kind of dodgy dealing that Bobby would never stoop to. She was straight off to see her ex, conveniently the owner of the trucking firm JR’s employed to move the oil, and ask him to stop the trucks; while Christopher went straight to the breaking and entering of John Ross’ office.

John Ross, meanwhile, also found out that he’d been done over by his own father, and wasn’t very happy about it. Not only had he had his name removed from the Southfork deeds, his father has also screwed up his sex life by telling the increasingly loopy ‘Marta’ about his dalliances with Elena. Cue Marta looking psychotically annoyed as the camera jump cut to ever closer shots of her deranged stare.

But it looks like JR’s doing it for John Ross’ own good, like a sort of malign Obi Wan Kenobi. “You wanted to learn about the oil business,” he sneered at his son while watching the Dallas Cowboys. He then announced that, his plans accomplished, he was heading off to… somewhere. And leaving John Ross in charge, to get that oil drilled. Before he went though, there was a symbolic passing of the Stetson from father to son – or old baddie to new baddie. But JR’s still the best thing about this show, so wherever he’s gone, let’s hope he’s back soon.

Family matters

Nothing new on the Ewing front, but we discovered that Bobby’s saintly wife Ann may have a bit of a dark past. She hinted as much to Rebecca, this being the reason why she’s prepared to give Miss ConArtist 2012 another chance. I’m guessing Ann’s dark past has something to do with her slimy ex-husband Harris Ryland, who owns what seems to be the only trucking firm in Dallas. She seemed creepily willing to accede to his every demand in a 50 Shades of Grey-like submissive style, so who knows what they used to get up to behind closed doors?

Who’s double crossing who this week?

Actually, at this point, pretty much nobody. Everyone’s cards are on the table now, and they all know where they stand. That can’t last though, or it wouldn’t be Dallas. Expect a new round of double-dealing to commence next week.

Hey look, it’s that guy from that thing:

A few guest stars this week might have rung bells. Bobby’s earnest, exposition-spewing new lawyer is played by Glenn Morshower, a prolific player of solid, dependable authority figures. You might remember him from such TV shows as every season of 24, where he played Secret Service Agent Aaron Pierce, one of the only characters in that show who never betrayed anyone to anyone else:

Ann’s unspeakably creepy ex-husband Harris Ryland is played by well-known follically challenged genre stalwart Mitch Pileggi. Pileggi’s played quite a few baddies in the past, but for most of us he’ll forever be stern-but-fair FBI boss Walter Skinner from The X Files:

And not strictly an actor (as his performance here amply demonstrated), but a well-known sports figure popped up to hobnob with JR – Dallas Cowboys owner Jerry Jones:

This week’s big cliffhanger:

Only one this week, a change from recent episodes. Having obtained Marta’s sex tape from John Ross’ office, in which John Ross calls her by her real name, Christopher now has proof that JR’s son at least was in on the fraud. But that’s not enough to take Southfork back from JR – they have to prove that the slimy old reprobate knew about it himself. So Christopher confronted John Ross with the evidence (which must have been sort of creepy, knowing your cousin’s been watching you have sex with a psycho), and gave him an ultimatum – either testify to his father’s involvement in the fraud, or go to jail for it himself. Where I’m guessing he’d be quite popular, with his pretty face and hot body…

After last week’s fairly sedate episode, it was good to see the show back on rip-roaring form in a packed episode as all the secrets came out and finally everyone can be as nasty as they want to be. Now that Bobby, Christopher and Ann are on the defensive, it looks like the battle for Southfork will be truly joined as of next week. But I’m guessing JR has more than a few cards up his sleeve still…

Dallas (the next generation): Season 1, Episode 4

“Now that John Ross has got Bobby to sign over the ranch to the Del Sol Conservancy, I think it’s time for me to claim my birthright.” – JR

Previously, on Dallas: As the massively complex Ewing world of double dealing continued, last week we learned that:

JR joined John Ross in the double crossing deal to buy Southfork and drill for oil on it
He also met the real buyers pretending to be the Del Sol Conservancy – the sinister ‘Venezuelans’ and their sneering, black-clad leader Vicente
JR’s old nemesis Cliff Barnes has turned up looking mummified, and is also after Southfork
Troublesome lawyer Lobell has a shiftless son who JR and John Ross can use as leverage
Christopher still has feelings for Elena, which doesn’t seem to bother his treacherous con artist wife Rebecca
Rebecca’s conscience won’t let her steal Christopher’s ‘frozen methane’ process
Bobby agreed to sell Southfork to the ‘Del Sol Conservancy’ rather than see Miss Ellie’s guilty secrets come up in court
And John Ross discovered that the email which split up Christopher and Elena had been sent by none other than his wife Rebecca.

This week, we saw more intrigue and subterfuge, in a curiously muted episode where not a whole lot seemed to happen. John Ross spent most of his time trying to set up Lobell’s son with incriminating pictures, while JR plotted and schemed (as ever) to get the upper hand on his own son. Christopher and Bobby had a heart to heart chat while Bobby had his hand up a cow; and Rebecca and Elena were having trouble deciding where their loyalties lay.

With Southfork now sold, Bobby should have been packing and arranging for the final barbecue (Southfork has always thrived on barbecues and parties, where all the surreptitious sex and blackmail tends to happen). But Ann is left to do the packing, as Bobby needs to spend most of the episode engaging in some massively unsubtle visual metaphors while he and Christopher have some father/son quality time.

After being seen quite literally mending fences together (imaginative), the two ‘nice’ Ewings then spent most of the episode dealing with a troublesome calf birth. It was at this point that Christopher chose to confide in his father that, after finding out about the email (which he still thinks was sent by John Ross), he still has feelings for his former fiancee Elena. “The choice is yours,” Bobby tells him earnestly, “but you gotta make one”. It’s hard to deliver heartfelt dialogue with your arm up a cow, but all credit to Patrick Duffy for pulling that off.

The cow metaphor became clear eventually, as only the calf could be saved, and had to be hived off to a “new mother”. Leading to a discussion about Christopher’s adopted status, just in case you hadn’t got the sledgehammer obviousness of what that represented.

Family matters

The fate of Bobby’s first wife (and Cliff’s sister) Pam remains mysterious. “”When Ann and I got married,” Bobby remarks, “she was pretty insecure about your mother.” Why? Just what did happen to Pam? I suspect the door is being left open here for Victoria Principal to return to the show, but she hasn’t agreed to it yet. In the meantime, she’s Schrodinger’s Ewing, neither alive nor dead until contracts are signed.

Who’s double crossing who this week?

Having let Rebecca know that he knows that sent the marriage-ending email, John Ross has a go at getting her to set up the son of Bobby’s treacherous lawyer, Lobell. Lobell’s son Rick, who he’d apparently do anything for, is an ex-druggie with two criminal convictions – and the state of Texas is pretty firm on the “three strikes and you’re out” rule introduced by good ol’ country boy Bill Clinton.

So Rebecca is duly dispatched to set up the now recovering addict in a drug sting. Unfortunately for her, Rick now runs a rehab group and is a nice guy, so that troublesome conscience of hers won’t let her go through with it. She must be a really rubbish con artist.

Fortunately ‘Marta Del Sol’ (who we now know is called Veronica) doesn’t mind at all, and stitches Rick up good and proper, with pictures of him naked and snorting coke. As an aside, I have to say that, initially, I had trouble telling the younger women of the show apart – each is tall, glamorous and brunette. I thought it was just me, but a friend of mine told me last weekend that she had exactly the same problem. I guess that’s the problem with casting similar types of artificially perfect actors in a show. At least John Ross has that scratty beard to distinguish him from Christopher…

Be that as it may, JR has unearthed quite a bit about ‘Marta’, using his own private investigator, the curiously named ‘Bum’. Bum has discovered that Marta/Veronica is actually a bit of a loony in a Fatal Attraction-stylee, which could be bad news for John Ross, to whom she’s developed an unhealthy attachment. “I thought we had a date,” she purrs menacingly to him, before dragging him down for some late night shopping at Neiman Marcus.

JR and Sue Ellen are maintaining an uneasy peace, which isn’t helped by another appearance from the duplicitous and calcified Cliff. Apparently he wants to fund her bid for Texas governor. Knowing how US politicians are bought and paid for by corporate interests, this can’t be a good thing, and yet only JR seems to see this. You’d think Sue Ellen would have learned something about corruption in all those years of being married to him.

Elena, meanwhile is torn not just between Christopher and John Ross, but also between their energy systems. It’s not many women who can say they’re cheating on methane with oil.

Faces from the past

Another brief visit this week from Lucy and Ray Krebbs, played as ever by Charlene Tilton and Steve Kanaly. Better preserved than Cliff, they seem to have no function in the show other than to show up occasionally to remind you that they used to be in it.

Hey look, it’s that guy from that thing:

Only one notable guest star this week (well, semi-notable). Rick Lobell is played by Jason London, formerly a teen heart throb in movies like Richard Linklater’s indie classic Dazed and Confused:

Jason London, now and in 1993

This week’s big cliffhanger:

Cliffhangers seem to travel in pairs in the new Dallas, and this week was no exception. Firstly, JR confronted Lobell with his son-based blackmail photos, demanding not only that the lawyer stop asking for more money, but also that the Southfork deeds, formerly split 50/50 between John Ross and himself, be signed over to JR alone. As expected, he’s already doing the dirty on his own son. Well, the boy’s gotta learn somehow…

Unaware that his own dad is shafting him, John Ross has gone to the Southfork farewell barbecue, ostensibly to reveal Rebecca’s treachery as payback for her failing to go through with setting up Lobell Jr. Unable to pacify that troublesome conscience of hers, Rebecca drags Christopher aside. “I’ve got something to tell you,” she gasps as the screen fades to black. Is she about to confess to everything? Since the plotline looks to have a way to go yet, I rather doubt that…

That may sound like a lot of plot to pack in to on episode, but by Dallas standards this week felt positively sedate. What with Bobby spending half his time with his arm up a cow, and the endless attempts to persuade Rick Lobell to do drugs on camera, it was a pretty slow episode. But then, there’s still six to go, and I doubt it’ll meander for too long.

Dallas (the next generation): Season 1, Episode 2

“It’s better to be old than to be the devil.” – Mexican proverb (allegedly)

Previously, on Dallas: In the space of one episode last week, we had an insane amount of plot dumped in our lap (so, business as usual for the Ewings, then). We learned that:

Bobby is dying of cancer (sob), which nobody knows except his wife Ann
JR is in a care home, suffering from depression (as if)
JR’s son John Ross has discovered loads of oil under Southfork, but isn’t allowed to drill there under the terms of Miss Ellie’s will, enforced by Bobby
Bobby’s (adopted) son Christopher has a new green energy process using frozen methane (or something), which unfortunately causes earthquakes
Christopher has married Rebecca, but only because his former fiancee Elena jilted him
Rebecca has a shady brother, and looks distinctly dodgy herself
Elena is now going out with John Ross and working with him on the oil drilling
Elena never turned up at Christopher’s wedding because of an email purportedly from him calling it off, which he’d never heard about till now, but may have been sent by John Ross to split them up so he could get her
Bobby is going to sell Southfork to fund Christopher’s methane thingy (and also to keep it out of John Ross’ drill-happy hands)
Marta Del Sol, the lady from the conservation concern he’s selling it to is actually a shill for JR, who’s not very ill after all, and wants Southfork for himself (as usual)
But she’s also sleeping with John Ross, and presumably going to betray JR for him…

That’s a lot to pack into a standard length opening episode, and thankfully the second week slows the pace a bit. But not much. There’s still intrigue, sex and Stetsons aplenty, with yet more schemes within schemes revealed by people telling each other things they must logically already know, for our benefit.

“Are you telling me that the only reason we’re together is because someone sent you an email pretending to be Christopher breaking up with you?” John Ross asks Elena, presumably rhetorically as this is exactly what she’s just told him, remembering to be a Ewing bad boy with the parting shot, “screw you, lady!” We are thus reminded of what’s going on in this subplot, and also that John Ross has a hell of a (handsome) poker face. Either that, or he’s not a terribly good actor.

Elsewhere, it looks like both JR’s and John Ross’ cunning plans have hit an early snag, as they’ve both unwisely chosen to bribe the same lawyer to keep Bobby ignorant of what’s going on, and in John Ross’ case to keep JR ignorant that his shill is really John Ross’ shill. Sounds complicated (and it is), so it’s spelled out in an astonishing torrent of exposition from said lawyer the moment John Ross walks into his surprisingly small office. Pausing only to raise his price to $2 million, he pours John Ross an expensive whisky which John Ross doesn’t drink (this happens a lot in Dallas), because he then walks out.

Bobby now knows what we know, that his wife knows what he knows about the cancer. A quick visit to the Ewing love tree ensues, in which generations of Ewing couples have carved their names (but without little hearts, because that would be tasteless). Nice to see “Jock and Ellie” in there, though a little surprising that Bobby’s carving has him paired with Ann rather than Pam. Perhaps he sanded Pam’s name off to carve Ann’s.

Christopher still doesn’t know what Bobby knows, Ann knows and we know that they both know about Bobby’s illness, but he’s worried about the Southfork-selling plan, so decides not to go on honeymoon. Suits Rebecca, whose shifty brother Tommy has been offered a job on the ranch by the credulous Ann. He’ll stand out a bit, as the only Caucasian working there. But now they’re both entrenched. “Don’t get too comfortable being Mrs Ewing,” Tommy sneers, before informing her that they’ve been working on this plan for two years, which I’m guessing she already knew. Who are they? And how does Tommy maintain the exact same length of sinister stubble from week to week?

Christopher and John Ross got a nice scene together at the bar they used to frequent when both were younger (and different actors). The scene cemented their status as the new Bobby and JR, truly their fathers’ sons (even if Christopher is adopted). “We ain’t family,” snarls John Ross, his face contorting in what I’m guessing is meant to be anger. “I’m a Ewing. Everything I am, everything I’d die for, has the Ewing name on it.” To which Christopher replies, “give me a break”, thus echoing the sentiments of the viewer.

In any other show, this sort of clumsy, overheated drama would be difficult to forgive, but in Dallas it’s a vital part of the show’s flavour. It has to be cheesy, glossy and over the top – that’s why we loved it the first time around. And it’s not disappointing in any of those regards now, either.

Thankfully out of his sick bed, JR got lots more to do this week, and Larry Hagman was chewing the scenery all over the place. The dramatic centrepiece was the prestigious Cattle Barons’ Ball, (a real thing which raises money for the American Cancer Society). Given Bobby’s illness in the show and Hagman’s in reality, there was an unexpected note of pathos as JR paused for photos in front of the Society’s logo. But it didn’t last long as the old devil floated through the sea of Stetsons for some much deserved face time with the rest of the old cast.

Pretending to be more infirm than he actually was, JR still managed to lay some threats on Bobby’s duplicitous lawyer (who’s actually working for John Ross, unbeknown to JR, who thinks he’s working for him while Bobby thinks he’s working for him). But it’s his scenes with Bobby and Sue Ellen that stand out, as he makes a convincing job of being a (very hammy) reformed character.

“I’m not gonna forget what you done for me, Bobby,” he told his brother, which Bobby amusingly took at face value. Employing his usual technique of calling every woman he meets “darlin”, he eventually worked his way over to the long-awaited meeting with his ex-wife, only to surprise her by telling her, “you won, honey. And I couldn’t be happier.” It was terrific to see Hagman and Linda Gray together again, and they still have the old chemistry. But is JR really reformed? I’ll believe that when I see it.

Marta Del Sol was at the Ball too, and a desperate John Ross tried to seduce her in order to lay his hands on the money to pay off the lawyer. Marta didn’t seem very happy about this. “Do you remember last time we were lovers John Ross?” she purred menacingly, drugging his drink with a Rohypnol-type thing. “It was an amazing experience.” I’m sure it was, he’s pretty hot. But why drug him when he wanted sex anyway? Unless it was to keep him from spotting the large camera filming them from the ceiling, with a very conspicuous red light flashing on and off.

So, is Marta just into a bit of home video fun, or is John Ross not her first priority after all? Cause that looks like top blackmail material right there. Either way, I was quite happy to see Josh Henderson get his kit off, though slightly baffled as to why he woke up tied up, but still hadn’t taken his boxers off. Ah well, there’s a limit to how far you can go in prime time, I guess.

But JR was getting suspicious at the delayed call from her father, so he popped down to Mexico to see him. I guess he can afford the flight. Then he met the real Marta, who was very different from the woman he already knows – she’s blonde, for a start. So the cat’s out of the bag for John Ross. But if Marta’s not really working for him or JR, who is she really working for?

It was good to see the intrigue, betrayal and gratuitous rumpy-pumpy continue in the same vein as last week, even if this week was slightly less frantic and OTT. Pretty though the new boys are, though, it’s still Hagman and Duffy who rule the drama here, with able help from Linda Gray. Nonetheless, the new rivalry is coming to the boil nicely, along with the usual overcomplex duplicity. It’s as hard as ever to keep track of who’s betraying who to whom and why. One thing’s for sure – I predict JR is not going to be happy with his son next week. And an angry JR is not to be messed with, so John Ross better look out…

Dallas (the next generation): Season 1, Episode 1

“Dallas is like every American soap opera you’ve ever seen, all rolled into one and given an unlimited charge account at Neiman-Marcus.” – Clive James, The Observer, 1979

It seems so obvious, it’s amazing it hasn’t happened earlier. Dallas, that most beloved of 1980s guilty viewing pleasures, has been properly revived as an ongoing series, and it’s back on UK screens tonight. But can it match the mad excesses of its original incarnation – the sex, the backstabbing, the stetsons, the vast amounts of money?

Back in the day of the original Dallas, it was an absolute phenomenon. Nobody had seen anything like it, least of all in the UK, where our idea of a soap opera was the dour Northerners of Coronation Street or the wobbly sets and forgotten lines of Crossroads. Suddenly, the British viewer was thrust into an alien world of greedy, amoral oil tycoons and their ultra-glamorous wives, where sex was every bit as much a currency as money, and ‘family’ meant ‘feud’.

Said family being, of course, the immortal Ewings, who had such enemies as Cliff Barnes, but spent more time fighting among each other as to who owned what large amount of money/oil well/wife. Ewing monarchs Jock and Miss Ellie watched uncomprehendingly over their bickering offspring, most notable of whom was goody-goody Bobby (Patrick Duffy), and that most loved of pantomime villains, JR. Initially just one of an ensemble, Larry Hagman’s deliciously evil tycoon ended up being the star of the show. When he was shot, at the climax of the third season in 1980, it made the national news.

It seemed like pretty much everyone in the UK watched Dallas, from the highbrow to the lowbrow. Terry Wogan would recap events sarcastically on his morning Radio 2 show, coining such epithets as “the poison dwarf” (for the diminutive Lucy Ewing), while Clive James regularly chimed in from his cerebral Observer column to guiltily admit that he couldn’t live without his weekly fix of Ewing action.

But such popularity rarely lasts, and Dallas was finally wound up in 1991. Its final episode was a surfeit of surreal plot excess, as an ‘angel’ turned up to show JR how the Ewings might have lived if he’d never been born. In a devilish inversion of It’s a Wonderful Life, they were of course a lot happier. At which point the ‘angel’ revealed himself to be quite the opposite, and urged JR to reach for what Clive James always referred to as his “gern”. We heard the gern go off, and that was it for the Ewings.

Twenty years and a couple of TV movies later, they’re back, and just as bonkers as ever. The old, unstoppably catchy theme tune is there in all its timelessly cheesy glory as the camera once again pans over Southfork ranch with yellow credits superimposed over it. The only shock is the absence of those split screen triptych shots of the stars freeze-framing at a moment of action/glamour/sex.

It’s hard enough to remember the conclusion of the labyrinthine plots in the series, not to mention the TV movies, so here’s a brief guide to the plot.

Southfork is now owned by Bobby Ewing, as nice a guy as ever (so he’ll almost certainly finish last). No mention is made of his wife Pam, but I seem to recall she had a terminal illness when the show wound up, so she’s presumably dead. Unless that turned out to be a dream, of course. Bobby is now married to Ann, a previously unseen friend of Sue Ellen’s. Of all the original cast, Patrick Duffy seems to have aged most gracefully; he still retains those boyish features, even as the new Ewing patriarch. But as we learn even before the credits, Bobby has a Deadly Secret – he’s been diagnosed with cancer. Can he survive long enough to fight off his brother one more time?

Perhaps he won’t need to. JR is semi-catatonic with depression in a nursing home; having failed to commit suicide, perhaps even he couldn’t live with the knowledge of what a dastard he is. But is he faking it? Larry Hagman seems not so much to have aged as dried out; he’s way thinner than he used to be (in real life he has been diagnosed with cancer after a life of epic excess). But those devilish horned eyebrows are still there, even if they’re white now.

Sue Ellen, meanwhile, has cleaned up from the demon drink, and is in the process of running for Governor of Texas. Probably sensibly, the script doesn’t tell us which party she’s running for, but the Ewings are ultra-rich elites with a giant corporation; let’s face it, she’s a Republican. Linda Gray manages to look every bit as glamorous as she ever did despite now being in her 70s, though some of the facial glamour is strangely immobile…

The plot proper has to do with the next generation of Ewings, cannily set at loggerheads in the manner of their parents. “I don’t want them to be like us,” Bobby earnestly says to the immobile JR. Hmm, good luck with that. JR’s son John Ross Ewing (the hunky Josh Henderson) has struck oil in the hallowed grounds of Southfork itself. If he sets up a rig, it’ll restore the Ewing fortunes in no time. Trouble is, the late Miss Ellie, a moral guardian even from beyond the grave, specified in her will that the grounds of Southfork were to remain inviolate, and the ever-respectful Bobby intends to honour that. Looks like there’s trouble a-brewing!

John Ross Ewing – so evil he’s wearing the Master’s old beard.

Also opposing John Ross is Bobby’s (adopted) son Christopher (the hunky Jesse Metcalfe). Christopher’s keen on green energy, and has some kind of new process by which he can power the world with frozen methane (or something). So he’s not keen on John Ross digging for oil anywhere, least of all the ol’ family homestead. But he has a Deadly Secret of his own – his frozen methane drilling unfortunately causes earthquakes (somehow). And John Ross suspects…

Christopher Ewing. He suspects nothing, the poor sap.

Complicating matters even further (this is Dallas, after all), is the fact that John Ross is going out with the beautiful and glamorous Elena, daughter of the Ewing housekeeper and also (shock) Christopher’s former fiancee who jilted him at the altar. Christopher, meanwhile, is now engaged to the beautiful and glamorous Rebecca – but Rebecca isn’t who she seems to be. There’s something a little fishy about her recently arrived brother, whose unshaven face immediately brands him as a man Not To Be Trusted.

In classic Dallas style, all this is revealed in a series of exchanges that take place at parties, round the dinner table, and in the process of sexual congress. Old hands Lucy and Ray Krebbs pop up for a brief cameo at Christopher’s wedding bash, but don’t really do much. With the welter of plots already fomenting, there probably wasn’t much room for them.

You’d think a wedding where the bridegroom’s former fiancee who jilted him turned up as his cousin’s girlfriend would be awkward. And you’d be right. Only halfway through the first episode, and there’s Ewing fisticuffs already, especially over rascally-bearded John Ross’ plan to drill for oil on Miss Ellie’s beloved Southfork.

Trouble is, if Bobby dies, John Ross might get to do just that. So Bobby comes up with a plan – he’ll sell Southfork to a conservation concern, the Del Sol conservancy. This mystifies everyone, as he hasn’t told them he’s ill (do try and keep up). The beautiful and glamorous (that’s the third one this week) Marta Del Sol arrives to check out the ranch, so Bobby can sign over the deeds as quickly as possible.Unknown to Bobby, his wife has discovered his cancer medication, and now knows his Deadly Secret.

But Marta isn’t who she seems (by this point, this hardly comes as a surprise). She’s secretly in league with JR, who (surprise!) isn’t as ill as he looked. Hagman is on triumphant form as the old Stetson goes back on, along with the old evil grin. Champagne glass in hand, he’s obviously relishing the evil plans to come.

JR’s not Marta’s only secret ally, though. Turns out she’s also secretly in league with John Ross (getting confused yet?). This secret is demonstrated when they choose to clandestinely meet in the very centre of Dallas’ most well-known large public space, the Dallas Cowboys stadium. Walking slowly toward each other, they eventually meet up for a snog in the centre of the field, and snigger evilly. Well, not quite, but they might as well have. At this point all John Ross needs is a small dog called Muttley.

So, one episode in and it’s already matching up to the convoluted excess, glamour and implausible complexity of the original. The new stars are great, although JR and Bobby were never as buff and pretty as John Ross and Christopher. But it really comes to life with the old guard, including an electric scene where the dying Bobby visits his ‘depressed’ brother/adversary JR at the rest home. What’s JR up to? Does he know about John Ross and Marta? Who is Rebecca really? Tune in next time to find out – perhaps. I know you will, because new, bonkers Dallas is every bit as addictive as old, bonkers Dallas.