Spooks: Series 10, Episode 4

“As punishment for recent actions of the British government, Trafalgar Square will be attacked at 6pm… And MI5 will let it happen.”

SpooksErin

Looks like I was indeed a little wide of the mark last week when I theorised that Dimitri was being shaped up into the central figure of Spooks this year. It turns out that the writers are going for more of an ensemble approach; last week was “the Dimitri episode”, and this week’s, it soon became clear, was “the Erin episode”. Much emphasis on Erin in the “previously on…” bit was then followed by a sinister man in a car spying on her leaving home and promising that “the woman will be taken care of”, as if to hammer the Erin-centric nature of the story home.

It’s an interesting way to approach the storytelling, in that it’s focussing primarily on the characters. This may explain, why, yet again, the central character this week was allowed to develop by means of a plot that is very familiar ground to Spooks fans. Erin was thrust into the foreground of that old Spooks stalwart, the “thwart Muslim extremists” plot, as an imprisoned Abu Hamza-like cleric groomed the soon to be released inmates at his prison into jihadi suicide bombers.

This caused much tokenistic soul-searching as characters turned into political mouthpieces for the writers. Meeting with the Home Secretary, Harry expressed concern at a violent cult leader being locked in an environment full of vulnerable, impressionistic young men; basically, his own ripe recruiting ground. The Home Secretary countered by outlining the alternative of allowing him out and inflaming all the country’s right wingers. Some relief from this rather simplistic pontificating was offered by the Home Secretary’s weary admission that it was a no-win scenario: “I get rather a lot of those.” Simon Russell Beale’s world-weary delivery was pitch-perfect, and almost made you feel some sympathy for career politicians. Only almost, though, the writing’s not that good.

Back at the Grid, Dimitri and Calum engaged in a similar discussion, culminating in an uncharacteristically liberal outburst from Calum: “3% of the country is Muslim, but they make up 11% of the prison population. Maybe we should start with that.” It’s a tricky line that shows like Spooks and 24 have to walk when presenting Islamic extremists as their villains, and it’s become de rigueur for the writers to add a bit of debate to display that they’re not trying to characterise all Muslims like this, while not ignoring that some of them are. This tends to lead to some very out of character mealy-mouthed platitudes in the dialogue. While I recognise the perceived necessity for it, this often comes across as ham fisted, and Spooks was no exception this week, though thankfully it didn’t descend into the near-offensive cultural stereotyping that became a hallmark of 24.

But thankfully, we didn’t have to linger long on the cultural philosophy. This is Spooks, not Newsnight, and there had to be enough time left in the episode for the requisite running around, peering at CCTV footage and shooting guns. Thus it was that we discovered one of the two potential jihadis being released from Eastland Prison was actually one of Erin’s assets, supplying her with information from inside the prison in exchange for a promise that his daughter would be allowed to move to the UK from their home in Pakistan.

The script didn’t linger on the statement that this man, Ashur Mohali, was a university lecturer in Pakistan who’d been arrested for illegal menial work in the UK; that was one of the political points better handled, left hanging there for you to make your own judgement. Slightly less well-handled was his impassioned plea to his fellow jihadi, a former BNP member turned Muslim convert, that what they were doing was wrong according to so many tenets of the Qu’ran. All true enough, but again it felt like the point was being hammered home.

Unfortunately for Ashur, his handler Rashaida (the impressively sinister Chu Omambala, who we’d seen spying on Erin earlier) wasn’t the trusting type, and he’d kidnapped Ashur’s daughter in order to ensure that Ashur would go through with the plan. This led to much hand-wringing from Erin, who’s obviously still ridden with guilt about having screwed over another of her assets a couple of weeks ago. Lara Pulver is rather better at portraying inner doubt and guilt than Max Brown, so we actually felt for her as she begged Harry to petition the Home Secretary for help: “Just once, I’d like to fulfil the promises we make to those who are risking their lives for us.”

This showed that The Harsh Realities of the Job still aren’t fully clear to her. For Erin , one of those Harsh Realities is being really, really unlucky, as not only was she in the process of ruining yet another life, the job came perilously close to home when Rashaida kidnapped her daughter too. Double daughter jeopardy! It wasn’t made clear exactly how Rashaida managed to get his hands on her; I suppose it’s possible that he killed Erin’s mum to get her out of the way, as we didn’t see her again. I’d like to think that the writers wouldn’t be so cruel, as Erin’s already having enough bad luck to make her envy Job. But this is Spooks, and nobody gets a happy ending here, so who knows?

Much peering into CCTV monitors and running around council estates throwing guns hither and yon for the local kids to pick up ensued, as Dimitri was again relegated to thumping people and shooting. It all culminated in an admittedly tense standoff in Trafalgar Square (the location being announced by hyperdramatic music accompanying shots of Nelson’s Column and stone lions), as Erin begged Harry to wait for Dimitri to rescue her daughter before shooting down poor old Ashur to stop him detonating a big strap on bomb. Dimitri, of course, got there in the nick of time. Ashur was duly dispatched, and Erin’s conscience got some salving from hearing that Ashur’s daughter, rescued by MI6, was on the next plane over. Mind you, with Erin’s luck, she’ll probably be the one who has to explain to the girl about where her father is.

As mentioned, Lara Pulver conveys emotion rather better than Max Brown, so her tearful near-resignation after all of this was perfectly believable – even if her immaculate hair remained unruffled throughout. Erin’s a bit of a daft character, of course; an impossibly glamourous single mum who saves the country on a weekly basis and still has perfect hair, she certainly outdoes the responsibility juggling of Sarah Jessica Parker in the execrably titled I Don’t Know How She Does It. But Lara Pulver’s been likeable enough to make you overlook the absurdity, and it seems rather a shame that, this being the last series, we won’t see very much of her. She’ll never be in the same formidable league as the much-missed Ros Myers, but she seems to be shaping up into an interesting character.

In fact, more than anything else, the introduction and beginnings of development of two new main characters seems the clearest sign that this probably wasn’t originally intended to be the show’s last series. Why start developing new characters at this stage of the game? Calum, of course, is a necessary replacement for Tariq, whose death was vital for the standard shock value of a Spooks Big Plot. And presumably Erin was brought in because it would have been less than credible for the team to be as small as four people and still protect the realm with the reliability of five people (a fact Calum drew attention to with an in-jokey line about the five of them against the CIA).

The fact remains though that this series seems like it’s trying to take the characters somewhere, as if news of the show’s cancellation didn’t reach the writers until after they’d finished. As I said last week, given the familiarity of the ground we’ve been treading, the show’s demise may not be a bad thing. But I sincerely hope news of its end reached the writers in time to craft a proper end for the Big Plot – particularly since this year’s Big Plot must also resolve the several years of simmering but chaste romantic tension between Harry and Ruth.

Thankfully, the Big Plot was much more to the fore this week, as Ruth continued to struggle with her decision to take a job with the slimy Home Secretary and her growing distrust of Harry. This was underlined in a sweet scene, perfectly played by Peter Firth and Nicola Walker, as Harry and Ruth met on a park bench to discuss her misgivings. Ruth’s been picking the brains of CIA friend turned bad guy Jim Coaver, on a bridge over the Thames (“What is it with you Brits and hanging out by this river?” asks an exasperated Coaver in yet another in-joke about the tropes of the show). Coaver dropped some heavy hints about Harry’s bad boy past with Elena in the 80s, and Ruth, already feeling like “the other woman” is starting to feel that she doesn’t know Harry anywhere near as well as she thought she did.

Here was the real acting muscle of the show, as Firth and Walker subtly conveyed so much turmoil on such rigidly controlled, British faces. “You can’t love someone on a need to know basis,” said a frustrated Ruth, to which Harry was equivocal; clearly that’s always been a condition of his romantic relationships. But Harry’s love has no plausible deniability as he urged Ruth to take the Home Secretary’s job offer: “I don’t want you caught up in what’s coming.” Clearly Harry’s about to get badass again – time to break out the murdering gloves.

For it now seems undeniable that the CIA are the bad guys, trying to overthrow the uneasy detente with the Russians. Harry discovered this by the rather dubious means of coaxing them into taking potshots at his old flame Elena, after using her to misinform them about discovering the identity of the source posing as Harry. Wheels within wheels, it seems, as the CIA assassin was directed by an unseen car driver; the same car, Ruth later discovered, habitually used by Coaver (though given her suspicions, that one to one meeting on a bridge seems a little foolhardy).

So Harry finally squared up to his old buddy, with much philosophising about the nature of friendship versus The Harsh Realities of the Job: “I’d never shoot my friends. My family, maybe, but never my friends.” Coaver’s protestations of ignorance seemed fairly convincing, and after all, it might not necessarily have been him in the car directing the assassin. But that’s cutting no ice with Harry, whose judgement is being made to look increasingly shaky. Coaver’s got 24 hours to come clean, or Harry’s coming after him: “I guess you’ve forgotten who I work for.” “Then I’ll have to come after them too.”

So is Harry coming unglued? Or is this going to be his last blaze of righteous glory as he claims vengeance and justice in a way that the Home Secretary will presumably not approve of? With only two episodes left, it looks like the focus is going to be squarely on the Big Plot from hereon in; if nothing else, that’s a mercy for sparing us an episode centred on Calum. There’s plenty to tie up, so two episodes is probably necessary. Along with the duplicitous CIA and the inscrutable Russians, Harry has to come clean to his unsuspecting son and choose between the two women in his life before, very probably, dying a hero’s death. Let’s hope the writers are up to the task of giving this most British of heroes a proper send off. And not end the whole series on a cliffhanger because they didn’t realise it had been cancelled!

Spooks: Series 10, Episode 2

“We all ruin the lives of people we care about. It’s part of what we do.”

SpooksTariq

And another one bites the dust! In keeping with the grand Spooks tradition that any main character can be killed off at any time (not just in a dramatic season finale), tonight’s otherwise fairly routine episode was suddenly enlivened at the end by the not entirely unexpected demise of loveable tech geek Tariq.

I say not unexpected because this twist was telegraphed so heavily, the only way it could have been more obvious would have been if Tariq had spent the episode wearing a T-shirt saying ‘dead soon’. Firstly, we had Sasha and his FSB pal Anatoly horseplaying around with an umbrella. “You’re dead,” japed Sasha, “poison umbrella.” Obviously this was a callout to the infamous assassination of Georgi Markov in 1978, when Bulgarian secret police stabbed the famous dissident with a ricin pellet from an umbrella tip, while waiting at a bus stop on Waterloo Bridge.

As with the old ‘Chekhov’s gun’ rule – if you show a gun in the first act of your play, someone will have been shot with it by the final act – this was a pretty obvious bit of foreshadowing. The only question was, who would be the victim? Step up Tariq, ‘unusually’ thrust into the limelight rather than his usual background technobabble function.

First he had a go at snide git Calum, who, let’s face it, was undoubtedly more rubbish for having a laptop full of top secret information nicked from him by mugging. Calum was mocking Tariq for his surprisingly crap file encryption (though if the encryption had been up to his usual standard, the plot couldn’t have taken place). This caused Tariq to deliver an unusually impassioned speech about how he had to work hard to get where he was, and he worked so hard because he “gave a shit”.

Not content with the usual device of building him up into a bit of a hero before killing him, the script then had him commit the fatal error of trying to bury the hatchet with a bit of socialising. As he turned down Calum’s offer of a pint with a promise that they would have one “soon”, he basically put himself in the place of every soldier in a war movie who tells his pal they’ll get together soon, just after this last assault on The Bridge at Remagen. And thus, his fate was sealed. As soon as the power went off just after his mysterious revelation on the CCTV footage, you knew he’d be dead in minutes; it was thus no surprise when a passer by ‘accidentally’ bumped into him and he discovered a spreading lump on his stomach just before he lurched out of his taxi to die outside Thames House.

However well signposted, it’s still a bit of a wrench to see Tariq go. Shazad Latif did a surprisingly good job of making him as likeable as previous Section D tech bod Malcolm – thus far the only member of the team who’s managed to retire without dying, going mad or being sent into exile. But this was clearly one of those episodes about The Harsh Realities of the Job, and presumably Tariq knew what he was getting into when he saw the list of previous casualties from the Grid – not least Colin, a previous tech support bod whose first venture into the field resulted in him being hanged by terrorist fanatics. Tariq will be missed, not least because it’s now clear that the unlikeable Calum was pre-emptively brought in to replace him.

Also learning about The Harsh Realities of the Job this week was the impossibly glamourous Erin – something of a surprise, as her previous role as stand-in for Harry rather implied she was a seasoned veteran. As the mysterious leaks from the stolen laptop spread across the internet, it became clear that one of her assets, an analyst at a Russian oil firm called Martha Ford, was about to be compromised. Trying her best to be ruthless like Harry, Erin commanded Martha to extract all the files relating to this year’s baddie Ilya Gavrik before getting the hell out of there, all the while reassuring her that the stolen laptop didn’t include her details, really it didn’t.

Martha thus dutifully downloaded all the files onto the usual conveniently hi tech USB stick before running (well, walking briskly) like hell out of the oil firm’s offices, which were the usual modernist hi tech building of big glass walls favoured by every corporation in the Spooks world. Imagine then her surprise as she saw a giant TV monitor at reception outing her as a spy, which somehow nobody else in the building was paying attention to.

Clearly Martha’s cover was blown, and Erin secreted her in one of MI5’s inappropriately named safe houses (these things are usually as safe as a swimming pool full of sharks and razor wire in Spooks-world). Cue much crying as Martha realised that ‘Karen’, as Erin was known to her, had lied to her all along and cared little about her safety beyond her usefulness. This caused Erin to get teary as well, though at no point did it – or anything else – cause any disturbance to her immaculately coiffured hair.

Grappling with her conscience, Erin reported to Harry, who thankfully doesn’t have that much hair to be worried about. Harry then dutifully gave her one of his trademark speeches about The Harsh Realities of the Job: “First, we have to be prepared to give everything. Second, and far harder, we have to be prepared to ask others to give everything.” Erin bit her lip and accepted that these were indeed The Harsh Realities of the Job, which thus far haven’t impacted on her responsibilities as an impossibly glamourous single mum juggling the defence of the realm with childcare and haircare. Surely it can only be a matter of time, as families are always an obvious weak point for the agents of Section D.

Families were also much on the minds of Harry and Ruth, as this week’s runaround involving intel details leaked to the internet from a stolen laptop intersected with this season’s Big Plot. Not only was Russian minister Gavrik involved in the oddly named oil firm ‘KaspGaz’ (some reference to Garry Kasparov perhaps?) in which Martha was embedded, it seems that the laptop was stolen by somebody involved in the Big Plot and then leaked to a former Spook with a grudge. Said ex-Spook made the foolish mistake of staring straight into the nicked laptop’s webcam as Tariq pulled off his final feat of techno-magic – turning on the webcam after having failed to track IP addresses and email links seems so obvious you wonder why they didn’t try it first. The laptop duly recovered, Harry is now curious about the link.

He’s also still curious about who’s reactivated his former asset and lover Elena Gavrik. In order to seek more information, he flipped open his book of Cold War cliches and arranged to meet her at a ballet rehearsal. This had the effect of recalling all those Cold War spy thrillers which climax with backstage shenanigans during a performance of the Bolshoi (though the only one that leaps to mind is 1965 Morecambe and Wise ‘classic’ The Intelligence Men). But times have moved on and budgets are limited, so instead of the expected full auditorium watching a sumptuously mounted production of Tchaikovsky, we got a lone ballerina practising to Beethoven. The only people watching in the whole theatre were Harry and Elena, which surely made them stand out rather more than they’d like while having a clandestine meeting.

Unfortunately for them, two people did clock them, and they both work for Russian secret service the FSB. Rather more fortunately, one of them is Harry’s long lost son Sasha, who’s spent the episode trying to conceal his mum’s treachery from FSB comrade Anatoly, a man so aggressively Russian with his piercing blue eyes and bushy black goatee that he appears to be constantly auditioning for the role of Rasputin. Obviously it’s pretty impossible to explain away his mum having a secret meeting with a senior agent of MI5, so Sasha is obliged to do Anatoly in, in a fight tastefully intercut with the ballerina bouncing around to Moonlight Sonata. Having finished filling Elena – and the viewers – in on what’s going on, Harry is confronted again by Sasha, and between scenes helps to remove the body in a way that is not disclosed.

Back at the Grid, Harry has deduced that the only likely suspect to impersonate him in reactivating Elena is top level CIA spook Jim Coaver, played by William Hope who will forever be known as the ineffectual Lt Gorman out of Aliens. In the twisty turny world of Spooks, the CIA are always about as trustworthy as the Russians, so this comes as no particular surprise. Thus, Ruth is tasked with investigating Coaver while Harry meets with him in his usual unofficial office – That Bench on the Embankment that has a nice view of the Houses of Parliament. Meanwhile, we discover that Ruth has doubts – she’s not only looking into Coaver, but she’s checking up on Harry too. Nicola Walker’s pinched frown is virtually causing her face to implode with guilt – but she’s going to feel even worse when she finds out the result of having sent the hardworking Tariq home for the night.

The usual Spooks runaround then, but fun nonetheless. The stolen laptop plot felt like the sort of thing the show used to do in its sleep, but its link to the Big Plot, and the death of Tariq, give it a bit more significance than just a filler. Next week, expect accusations and guilt to fly around the Grid like paper darts made from Eyes Only files, and we’ll continue to wait with bated breath for the inevitable moment when Sasha discovers that nasty old Harry is actually his dad. My money’s on him finding out just after he’s shot Harry…