Game of Thrones – Page 5 – Simon’s Incoherent Blog

Game of Thrones: Season 4, Episode 6–The Laws of Gods and Men

“When I see what desire does to people – what it’s done to this country – I am very glad to have no part in it.”

(SPOILER WARNING!)

I love a good trial scene! It’s been a few episodes coming, but it can’t have been too much of a surprise that this week, the trial of Tyrion Lannister took centre stage. What may have been a surprise to fans of the book though was the increasing diversion the various plots were taking – even though they ultimately seem to be leading to the same places.

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Game of Thrones: Season 4, Episode 5–First of His Name

“What good is power if you cannot protect the ones you love?”

(SPOILER WARNING!)

Game of Thrones episodes seem to fall into two distinct styles. There are the ones which focus very strongly on one or two of the major plotlines, perhaps paying lip service to a couple of the others, which are usually very strong. Then there are the more scattershot ones which take in so many (though rarely all) of the ongoing plots that we see little more than a tantalising vignette from each.

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Game of Thrones: Season 4, Episode 4–Oathkeeper

“A man with no motive is a man no one suspects.”

(SPOILER WARNING!)

Well, that didn’t take long, did it? As I mentioned last week, the identity of the killer (or killers) of King Joffrey, in the novels, took several volumes to ascertain for sure. In part, I think that’s because George RR Martin cast it as a fairly slight part of the plot; everyone wanted Joffrey dead, and everyone’s better off with him that way. Does it matter that much who actually did it – as long as it wasn’t Tyrion?

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Game of Thrones: Season 4, Episode 3–Breaker of Chains

“A wise king knows what he knows and what he doesn’t.”

(SPOILER WARNING!)

After original author George RR Martin’s stint on scripting duties last week, it was back to showrunners Benioff and Weiss to follow up that episode’s tumultuous events. Understandably, that meant the majority of this week’s episode was centred on King’s Landing, as various interested parties took on the roles of amateur detectives – their quest for the truth, as ever, taking second place to the quest for power. Or, in Tyrion’s case, self-preservation.

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Game of Thrones: Season 4, Episode 2–The Lion and the Rose

“There’s been too much amusement here today. A royal wedding is not a place for amusement.”

(SPOILER WARNING!)

Ah, weddings. I must say, personally I have rather a dread of them. I’ve never encountered one that hasn’t been an awkward occasion, as you gingerly tread the minefield of half-understood family politics and longstanding grudges. Inevitably (in my experience), at least some part of it ends in tears, as Aunt Maisie, tipsy on complimentary cava, finally confronts Cousin Jane over the long-disputed inheritance of that cherished family heirloom, followed by the equally inevitable punch-up between their dutifully defensive and equally tipsy husbands.

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Game of Thrones: Season 4, Episode 1 – Two Swords

“The war is over. The King is safe.”

(SPOILER WARNING!)

If you thought Game of Thrones was getting popular last year, this year it’s a veritable cultural phenomenon. As the new season dawned, the papers were full of clickbait drawing fans in with the most tangential connections. There’s a certain amount of inevitability in pieces discussing the show’s representation of gender imbalance in its pseudo-historical setting, or instructions on how to make yourself look like Westeros’ most popular female characters. But what are we to make of it when former Australian Prime Minister Julia Gillard starts discussing how the show reminds her of her time in office? As if to prove how massive the show is, it actually broke HBO’s streaming service HBO Go with overwhelming demand for this fourth season premiere.

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Game of Thrones: Season 3, Episode 10–Mhysa

“You really think a crown gives you power?”

After the tumultuous events of last week, this week’s season finale of Game of Thrones felt more like an epilogue than a climax. True, it was still a highly charged, and often tremendously violent piece of drama. But it also had the tall order of providing a capstone to just about all of this year’s multifarious plotlines, in preparation for next year. Benioff and Weiss’ script accomplished this with some aplomb, catching us up on just about every major character – the ones still alive, that is.

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Game of Thrones: Season 3, Episode 9–The Rains of Castamere

“The wine will flow red, the music will play loud – and we’ll put this mess behind us.”

Wow. What is it about penultimate episodes of this show? Last year’s episode 9, Blackwater, was undisputedly the best ep of the season. Now, with this week’s action-packed Game of Thrones cutting down on the jaw-jaw in favour of the war-war, it looks like that might become a standard thing. There was violence, action and revelation aplenty as much of the previous scheming came to fruition; along the way, there was still time for a few heart-rending character moments. Oh, and another of the recently frequent weddings. Only this one decidedly did not go as expected.

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Game of Thrones: Season 3, Episode 8–Second Sons

“We do not choose our destiny. But we must do our duty now. Great or small, we must do our duty.”

With dozens of intermingling plotlines and enough major characters to fill a small army, Game of Thrones rarely gets to linger on any one setting or group of characters in much detail. When it does, as with this week’s episode, it’s always a treat, allowing the treacherous characters and their Machiavellian schemes greater depth. And despite the fact that not a one of them can be trusted (except perhaps poor, naive Sansa Stark, who somehow still doesn’t get it) I can happily watch this lot showing us more of themselves.

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Game of Thrones: Season 3, Episode 7 – The Bear and the Maiden Fair

“People work together when it suits ‘em. They’re loyal when it suits ‘em. Love each other when it suits ‘em. And kill each other when it suits ‘em.”

Love was in the air this week in Game of Thrones, though in keeping with the show’s usual style, it didn’t make Westeros seem any more appealing a place to live. Love, both emotional and carnal, was very much in the forefront of many of the characters’ minds (though the ‘carnal’ part is usually a given anyway). It fed into the many subplots which increasingly involve people being forced into marriage against their wills for reasons of political subterfuge, in this year’s script by original author George RR Martin.

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