Russell T Davies – Simon’s Incoherent Blog

Doctor Who: Season 2/15/41, Episode 8 – The Reality War

“Mr Smith is gone. I am the Doctor!”

(SPOILER WARNING!)

Well, that’s it for another season – and, it’s looking like, another era of Doctor Who. If you’re one of those unhappy at what has become known as the RTD2 era, there was really no need to be. In many ways, what we got here was a typical Russell T Davies season finale, with all the strengths and weaknesses he’s shown in writing the show since 2005 – great characterisation and dialogue, with plenty of spectacle, undermined by gaping plot holes that were seemingly papered over by fast-paced set pieces.

Doctor Who: Season 2/15/41, Episode 7 – Wish World

“Doubt is such a beautiful thing. If you question hard enough, then doubt can crack open the world!”

(SPOILER WARNING!)

“Is any of this making sense?”

Well… if I’m honest, not much, no. To be fair to Russell T Davies, this is the first half of a two-part story, so perhaps everything will click into place next week. For now, though, what we had here seemed like a bit of a jumble; there were some brilliant ideas, and some striking images, but it didn’t seem to cohere into any kind of logical story. Not yet, anyway.

Doctor Who: Season 2/15/41, Episode 6 – The Interstellar Song Contest

“Look, that’s a hundred thousand people, frozen and suspended in space. To reach them, and catch them, and revive every single one of them – you’d need to be some sort of insane genius.”

(SPOILER WARNING!)

It has been noted many times that one of the most significant groups among Doctor Who fans is gay men. It has also been noted many times that one of the most significant groups among Eurovision Song Contest fans is gay men. It was perhaps almost inevitable that at some point, we’d see a crossover between the two things – especially with renowned gay writer Russell T Davies, creator of Queer as Folk and lover of all things pop culture, running the show.

Doctor Who: Season 2/15/41, Episode 3 – The Well

“There’s something behind me.”

(SPOILER WARNING!)

Doctor Who has never been shy about stealing from… er, homaging other sources for its stories. I mean, The Brain of Morbius is just Frankenstein, The Androids of Tara is The Prisoner of Zenda, Robot is King Kong, and so on. It’s even, on multiple occasions, plagiarised itself – every Terry Nation Dalek story is basically the same as his first one. So it was hardly surprising, in a slew of well-blended ‘homages’ this week, that several of them were to earlier episodes of the show. The new thing here was the realisation that the ‘new’ show has now been going so long it can plagiarise itself too.

Doctor Who: Season 2/15/41, Episode 1 – The Robot Revolution

“Is this what you do? Are you some sort of time detective?”

(SPOILER WARNING!)

Wow, I have been very lazy with the writing of late – I haven’t posted anything here for nearly four months! Now, though, Doctor Who is back, to keep me disciplined on writing at least once a week. Well, for a while at least. The internet has been full of rumblings about the show’s apparent uncertain future, with Disney’s investment deal about to expire and Russell T Davies purportedly dropping ominous hints about some sort of “hiatus” in the near future.

Doctor Who: The War Games in Colour

“You can’t just change what I look like!”

(SPOILER WARNING, ON THE OFF CHANCE THAT YOU HAVEN’T SEEN THIS 1969 STORY)

I don’t know if you can cast your mind back that far, but in the 90s, colourisation of classic movies was all the rage. It was also hugely controversial, as Turner Classic Movies, added what was then a very primitive and unconvincing colour palette to the beloved likes of Laurel and Hardy and Casablanca. “These movies were meant to be seen in black and white,” the purists cried. Generally, people (including me) agreed, and the fad passed within a few years.

Doctor Who: Season 14, Episode 8 – Empire of Death

“Every sun is dead. The universe has come to a halt. And it is my fault.”

(SPOILER WARNING!)

Well, if it wasn’t obvious before, it certainly is now – Russell T Davies is definitely back. Empire of Death was everything we’d gotten used to from RTD season finales of old: a deadly threat to the entire universe; a ‘Davies ex machina’ McGuffin appearing out of nowhere to save the day; and a Big Reset Button that meant you could kill off whatever beloved character you like, because you could always bring them back. It was a rollicking rollercoaster ride of action and emotion that doesn’t really bear scrutiny if you stop to actually think about it too much. Just like all the season finales from 2005-2009, the last time Russell was in charge.

Doctor Who: Season 14, Episode 7 – The Legend of Ruby Sunday

“You’ve seen my life. I bring disaster, Kate, disaster.”

(SPOILER WARNING!)

It seems like the new season of Doctor Who has barely started, but we’re already into the endgame with this jaw-dropping penultimate episode, the first of a big two-parter. A run of eight episodes is, sadly, pretty short to flesh out a new Doctor, particularly when he’s been virtually absent for two of those eight episodes – but Ncuti Gatwa has been as superb as I always knew he would be. This episode showed us more of that irrepressible joie de vivre, but coupled with the melancholy we’ve seen in the past, drawn from centuries of bad experiences which, rightly or wrongly, the Doctor considers himself responsible for.

Doctor Who: Season 14, Episode 6 – Rogue

“Oh my Bridgerton – this is my actual dream!”

(SPOILER WARNING!)

So, this week’s Doctor Who was the much-anticipated “Bridgerton episode”. Just in case you weren’t aware of its inspiration, Ruby and the Doctor helpfully dropped the name of the show they were imitating over and over again – “it’s just like Bridgerton!” I wasn’t entirely clear, but it seemed at one point that even the villains were mentioning their love of Netflix’s hit Regency drama.

Doctor Who: Season 14, Episode 4 – 73 Yards

“It’s taken me all this time to realise what I’m here to do.”
“And what is that?”
“I’m gonna save the world.”

(SPOILER WARNING!)

Well, that was a weird one. As if on a mission to demonstrate just how flexible a show Doctor Who can be, this week Russell T Davies veered away from cutesy babies, musical numbers and earnest anti-war polemic to deliver a genuinely creepy, off-kilter ghost story that deserves a place in the show’s long history of nightmare fuel for its child viewers.