Steven Moffat – Page 3 – Simon’s Incoherent Blog

Doctor Who: Series 8, Episode 5 – Time Heist

“Today is a good day to be a bank robber.”

(SPOILER WARNING!)

One of the things I’ve been noticing about this season of Doctor Who is that there’s been very little unanimous like or dislike of any of the episodes. None have achieved the near-universal acclaim of Blink, or the near-universal derision of Fear Her. Even last week’s Listen, which was pretty widely acclaimed, has a number of fierce critics among my friends, either for its ambiguity or its deliberate slow pace.

Continue reading “Doctor Who: Series 8, Episode 5 – Time Heist”

Doctor Who: Series 8, Episode 4–Listen

“Question – why do we talk out loud when we know we’re alone? Conjecture – because we know we’re not.”

(SPOILER WARNING!)

After last week’s love-it-or-loathe-it comedy episode, this week saw Doctor Who back on more familiar ground with an outright horror story. The show’s always traded on an ability to scare small children, and in the post-2005 run, arguably nobody’s been better at that than Steven Moffat. Before he became showrunner (and subject to vitriolic brickbats from those who disliked his style), his episodes for Russell T Davies traded on being ‘the scary ones’ – The Empty Child, Blink, even Girl in the Fireplace, with its organ-harvesting clockwork droids that hid under children’s beds.

Continue reading “Doctor Who: Series 8, Episode 4–Listen”

Doctor Who–Season 8, Episode 2–Into the Dalek

“Clara, be a pal and tell me – am I a good man?”

(SPOILER WARNING!)

After last week’s flawed but mostly satisfying season opener, this week Doctor Who followed up with the return of the show’s arch villains in a story that was flawed but, for me, less satisfying. If you’ve read my reviews before, you know that if I don’t enjoy a story, I usually break down the reasons why. The trouble is that this time, I can’t quite put my finger on exactly why I felt that way.

Continue reading “Doctor Who–Season 8, Episode 2–Into the Dalek”

Doctor Who: Series 8, Episode 1–Deep Breath

“He is lost in the ruins of himself. We have to bring him home.”

(SPOILER WARNING!)

The arrival of a new Doctor has always been a hotly anticipated event for us fans, but until recently the rest of humanity tended to just roll their eyes indulgently at the excitement of the nerds. Since the show’s resurrection in 2005 however, it’s been getting more and more popular; to the extent that last night, Peter Capaldi’s debut as the Twelfth Doctor was simultaneously broadcast in countries all over the world, while back here in Blighty, you could go and watch it on the big screen at one of 450 cinemas across the country. Those cinemagoers were also treated to a live Q&A session with Capaldi, Jenna Coleman and Steven Moffat, broadcast by satellite from the stage of the Odeon Leicester Square.

This isn’t just a cult TV show any more – it’s a cultural phenomenon. And so, there was a lot riding on this episode, which had to introduce a Doctor who, for the post-2005 audience, would seem radically different – because he was (gasp) old.

Continue reading “Doctor Who: Series 8, Episode 1–Deep Breath”

How sexist is Doctor Who?–50 years of sexism in statistics

Over the last couple of months, I’ve been going through every Doctor Who story from 1963 to now, and assessing their gender balance by applying the Bechdel Test to each of them.

For a reminder of the rules, check the Intro here. Then, going by Doctor:

A quick reminder of the Test:

It has to have two named female characters
Who talk to each other
About something besides a man.

Continue reading “How sexist is Doctor Who?–50 years of sexism in statistics”

How sexist is Doctor Who?–Part Ten

Welcome to Part Ten of my attempt to analyse the sexism in every Doctor Who story ever, using the Bechdel Test – and my wits. For a reminder of the rules, check the Intro here. Then, going by Doctor:

A quick reminder of the Test:

It has to have two named female characters
Who talk to each other
About something besides a man.

As Russell T Davies departs with a pretty good record of gender balance, in comes new and hotly divisive showrunner Steven Moffat. At the time, fans seemed very optimistic about this development – after all, he had a strong record of writing inventive, scary and acclaimed stories. However, his very distinctive style, while popular in small doses, proved less universally welcomed as a constant of the show. That’s fine, of course; every showrunner has their critics, and RTD was certainly not beyond criticism. But for those who do dislike Moffat’s style, the level of vitriol was several notches higher than it had been for RTD. And one of the criticisms most frequently aimed at Moffat was that his writing was actively sexist and misogynist.

I’ve always thought that a bit unfair. I don’t think Moffat is a faultless writer (far from it), but one of his trademarks is writing strong, capable women who usually outshine the hapless men around them. Though I do acknowledge that his palette there is somewhat limited; after a while, all these flirtatious, impossibly witty heroines do start to feel a bit… samey.

Also incoming with Moffat was a new Doctor – the seemingly far too young Matt Smith. At 26, Matt was the youngest ever Doctor, leading to fears that the next one would have to be in his (or her) teens. Thankfully, Matt turned out to be a superb Doctor, actually more popular than many of the stories he appeared in. The fact that his quirky, often quite dark performance went down so well with viewers was quite an achievement after the near-universal popularity of David Tennant.

While I very much doubt that Matt Smith himself is in any way sexist or misogynist, he doesn’t write his own dialogue (well, not much anyway). So let’s delve into this new era, and find out how it compares to older ones…

Continue reading “How sexist is Doctor Who?–Part Ten”

How sexist is Doctor Who?–Part Nine

The David Tennant years

Welcome to Part Nine of my attempt to analyse the sexism in every Doctor Who story ever, using the Bechdel Test – and my wits. For a reminder of the rules, check the Intro here. Then, going by Doctor:

A quick reminder of the Test:

It has to have two named female characters
Who talk to each other
About something besides a man.

The Tenth Doctor. David Tennant. Skinny suit. Converse sand shoes. Long coat. And endless cries of squee. Yes, Christopher Eccleston may have made the revived show a success, but Tennant made it a phenomenon. Clearly far more at home in the part than Eccleston ever was (not that Eccleston ever let that show on screen, to be fair), Tennant became Russell T Davies’ best asset in selling the show, both onscreen and off.

In his four years in the part, David Tennant notched up almost as many stories as Tom Baker managed in seven – 37 stories all told, as opposed to Baker’s 41. That’s mostly due to the fact that the new show has self-contained episodes, or at most two-parters. It also means that Tennant’s era offers a better balanced sample for the Bechdel Test than the mere ten stories of Christopher Eccleston. It also means that this is one monster of a blog post, made even longer by a combined Ninth/Tenth Doctor summary at the end to sum up RTD’s era as a whole. Ready?

Continue reading “How sexist is Doctor Who?–Part Nine”

How sexist is Doctor Who?–Part Eight

The Christopher Eccleston weeks

Welcome to Part Eight of my attempt to analyse the sexism in every Doctor Who story ever, using the Bechdel Test – and my wits. For a reminder of the rules, check the Intro here. Then, going by Doctor:

A quick reminder of the Test:

It has to have two named female characters
Who talk to each other
About something besides a man.

Having now covered all of the classic series (and the Paul McGann interlude), it’s time to get up to date as we start to look at “Nu-Who”. This is where the idea for this series really began, with Rebecca Moore’s determined attempt to prove that Russell T Davies was more inclusive than arch-sexist Steven Moffat, as mentioned in the Intro.

I’m not going to do this by showrunner (yet), but continue by Doctor – though there’ll be a combined look at Doctors Nine and Ten after the Tennant post, if you want to assess RTD as a whole. In the mean time, as a nod to the new series tendency to harp on about the Doctor himself at often tedious length, I’m including a new check at the conclusion – how many stories that failed the Test might have passed if you don’t count the Doctor himself (a 900 year old non-human) as a “man”? There’s also a count of the trend that emerged for the Doctor to not actually resolve the plot himself, often leaving that to his companion (and sometimes other women). So, let’s take a bold stride into a new, hopefully less chauvinist era (though McCoy and Cartmel will be hard to beat)…

Continue reading “How sexist is Doctor Who?–Part Eight”

How sexist is Doctor Who? – The Intro…

“Have you never heard of female emancipation, Brigadier?” – Liz Shaw
“There’s nothing ‘only’ about being a girl.” – Sarah Jane Smith
”You will do as the Doctor says or I will cut out your heart!” – Leela

With the TV shows I usually review all on summer breaks right now, I found myself a little short of something to keep me disciplined enough to produce regular blog posts. Then I remembered a recent article I’d read in that the official journal of the gender wars, The Guardian, that reported a study claiming to prove that, under Steven Moffat, Doctor Who was measurably more sexist than it had been under Russell T Davies.

Continue reading “How sexist is Doctor Who? – The Intro…”

Sherlock: His Last Vow

“I’ve had to do with fifty murderers in my career, but the worst of them never gave me the repulsion which I have for this fellow. And yet I can’t get out of doing business with him — indeed, he is here at my invitation.” – from the journals of Dr John H Watson, MD, The Adventure of Charles Augustus Milverton

(SPOILER WARNING!)

And so, another all too brief season of Sherlock comes to an end, with an episode that should please more of the fans than the previous two (though I’m, sure some will never be satisfied). If you didn’t like the previous two stories’ lurch towards ‘soap opera’ character drama in place of crime plots, the balance of this ep will probably have made you happier – and in retrospect, it has become clear that the previous two were all about building up to this one.

Continue reading “Sherlock: His Last Vow”