“It is extremely difficult to be a white man in America right now. So I’m thinking, why not be a blue one?”
Watchmen, the show, set its thematic stall out from the very beginning. Opening with that racially motivated massacre in 1921 Tulsa, it was clear that skin colour was the biggest driving force in this plot. Yet it’s been hard to forget that alongside white, black, and varying shades of brown, there’s another skin colour in this narrative. And it’s blue. Continue reading “Watchmen: Season 1, Episode 7 – An Almost Religious Awe”
“Let’s assume that it’s good and it’s going to get better. It’s supposed to get better.”
It’s a frequent trait of Mad Men episodes that sometimes they’ll be structured around a Big Theme. Sometimes this is subtly done, and at others the script keeps clubbing you round the head with it shouting, “See, that’s what this one’s about!” Continue reading “Mad Men: Season 7, Episode 10 – The Forecast”
“Now I understand. You want to feel shitty – right up to the point where I take your dress off.”
Never a show with a straightforward approach to dialogue or characterisation, Mad Men this week took its usual obfuscation of motive and events to new heights, in an episode directed by Don Draper himself, Jon Hamm. The ep was ostensibly another of those juxtapositions between Don and Don-wannabe Pete Campbell, showing their failings both professionally and socially. But, even more than usual, grasping what was truly going on relied on interpreting the Unsaid as much as the said.
Continue reading “Mad Men: Season 6, Episode 3 – Collaborators”