Reviews – Page 30 – Simon’s Incoherent Blog

Doctor Who: Series 8, Episode 7–Kill the Moon

“An innocent life versus the future of mankind. We have forty five minutes to decide.”

(SPOILER WARNING!)

It was another moral dilemma for the Doctor this week – he seems to be getting a lot of them of late. In the past, this was the show’s way of presenting the philosophy of its hero; perhaps the most notable example being the Fourth Doctor’s agonising decision over whether to save the universe from the Daleks by committing genocide against them before they were even created. As a moral dilemma, it’s hard to see a ‘right’ or ‘wrong’ answer to that one clearly, and in fact the script for Genesis of the Daleks cheats by having the choice almost immediately taken out of the Doctor’s hands.

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Doctor Who: Series 8, Episode 6–The Caretaker

“You can’t do this. You cannot pretend to be an actual person among real people.”

(SPOILER WARNING!)

When an episodic TV series has been running (on and off) for fifty years, it’s hardly surprising that some episodes instil a feeling of déjà vu. Terry Nation, notoriously, wrote the first Dalek story again several times, changing a few names and locations but keeping the same basic plot. That same feeling of déjà vu was very much present in The Caretaker. The concept of the Doctor trying (and comically failing) to fit in with everyday life on contemporary Earth has become a bit of a trope in recent years, most notably in the work of Gareth Roberts, who set the template with The Lodger and revisited it with Closing Time.

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Doctor Who: Series 8, Episode 5 – Time Heist

“Today is a good day to be a bank robber.”

(SPOILER WARNING!)

One of the things I’ve been noticing about this season of Doctor Who is that there’s been very little unanimous like or dislike of any of the episodes. None have achieved the near-universal acclaim of Blink, or the near-universal derision of Fear Her. Even last week’s Listen, which was pretty widely acclaimed, has a number of fierce critics among my friends, either for its ambiguity or its deliberate slow pace.

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Doctor Who: Series 8, Episode 4–Listen

“Question – why do we talk out loud when we know we’re alone? Conjecture – because we know we’re not.”

(SPOILER WARNING!)

After last week’s love-it-or-loathe-it comedy episode, this week saw Doctor Who back on more familiar ground with an outright horror story. The show’s always traded on an ability to scare small children, and in the post-2005 run, arguably nobody’s been better at that than Steven Moffat. Before he became showrunner (and subject to vitriolic brickbats from those who disliked his style), his episodes for Russell T Davies traded on being ‘the scary ones’ – The Empty Child, Blink, even Girl in the Fireplace, with its organ-harvesting clockwork droids that hid under children’s beds.

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Doctor Who: Series 8, Episode 3–Robot of Sherwood

“Old-fashioned heroes are only found in old-fashioned storybooks, Clara.”

(SPOILER WARNING!)

After a season opener freighted with the need to establish a new Doctor, and last week’s dark morality tale, this week saw Doctor Who return refreshingly to an old-fashioned, undemanding romp with the groan-makingly entitled Robot of Sherwood. Very close in style to some of the classic show’s tongue-in-cheek stories, especially season 17, this saw the Doctor grudgingly agreeing to take Clara to 12the century Sherwood Forest to meet her hero – Robin Hood. Only to find the time-travelling pair caught up in a somewhat contrived plot involving the wicked Sheriff of Nottingham purloining gold from the locals in order to help some robots from the future relaunch their crippled spaceship.

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Doctor Who–Season 8, Episode 2–Into the Dalek

“Clara, be a pal and tell me – am I a good man?”

(SPOILER WARNING!)

After last week’s flawed but mostly satisfying season opener, this week Doctor Who followed up with the return of the show’s arch villains in a story that was flawed but, for me, less satisfying. If you’ve read my reviews before, you know that if I don’t enjoy a story, I usually break down the reasons why. The trouble is that this time, I can’t quite put my finger on exactly why I felt that way.

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Doctor Who: Series 8, Episode 1–Deep Breath

“He is lost in the ruins of himself. We have to bring him home.”

(SPOILER WARNING!)

The arrival of a new Doctor has always been a hotly anticipated event for us fans, but until recently the rest of humanity tended to just roll their eyes indulgently at the excitement of the nerds. Since the show’s resurrection in 2005 however, it’s been getting more and more popular; to the extent that last night, Peter Capaldi’s debut as the Twelfth Doctor was simultaneously broadcast in countries all over the world, while back here in Blighty, you could go and watch it on the big screen at one of 450 cinemas across the country. Those cinemagoers were also treated to a live Q&A session with Capaldi, Jenna Coleman and Steven Moffat, broadcast by satellite from the stage of the Odeon Leicester Square.

This isn’t just a cult TV show any more – it’s a cultural phenomenon. And so, there was a lot riding on this episode, which had to introduce a Doctor who, for the post-2005 audience, would seem radically different – because he was (gasp) old.

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Game of Thrones: Season 4, Episode 10–The Children

“We both know that winter is coming. And if my people aren’t south of the Wall when it comes in earnest, we’ll all end up worse than dead.”

(SPOILER WARNING!)

Unpredictable beasts, season finales of Game of Thrones. In the past, they’ve tended to be a chance to take stock after the tumultuous events of episode 9, while also laying the groundwork for next season’s plots. This one, though, was uncharacteristically action-packed, with some game-changing plot developments that should leave even those who’ve read the books impatient to see what happens next.

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Game of Thrones: Season 4, Episode 9–The Watchers on the Wall

“I am a man of the Night’s Watch. I made a promise to defend the Wall, and I have to keep it. Because that’s what men do.”

(SPOILER WARNING!)

Another episode 9 directed by Neil Marshall (Blackwater), and like his previous effort, it didn’t stint on the action. Also like that episode, it was virtually a self-contained story, covering only the plot thread where a massive, epic battle was due so as to show the events of the battle in detail. The action was furious, breathtaking and satisfying. The emotional drama, which is what Game of Thrones stands or falls on? Well, that depends on how invested you are in these characters in particular.

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In the Flesh–Series 2, Episode 6

“Every PDS sufferer in Roarton must be destroyed!”

(SPOILER WARNING!)

And so the second series of In the Flesh has come to an end, with a mostly satisfying climax that still left a few things to be desired. In structure and plot details, it was actually more than a bit reminiscent of the finale to series one – but with the need to lay groundwork for a potential third series, things weren’t so neatly tied up this time.

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